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Dick Baumgartner's Basketball Shooting CampWhere Great Shooters Are Made Not Born. |
2006
Head Up
Head up is a term used by many coaches. Steve Nash`s dad started saying to
him at a very early age to"keep his head up". He has followed this technique
as a young player all the way through his professional career.
Head Level - Look Up With Your Eyes
Coach Baumgartner has had a similar saying which he has used in teaching shooting
for the last 45 years. "Head level - look up with your eyes" helps to balance
a player as well as helping a player to sight the target.
Head level helps a player to execute body mechanics better. It also helps
balance a player all the way through the shot. Of course, the eyes up helps
the player see the target better.
Rudder of the Body
The head is the rudder of the body so a player doesn`t want
his or her head forward or backward after lifting the ball to a position before
thrusting it to the basket.
Before Lifting the Ball
If a player has a correct head and body position before lifting the ball he
or she is more apt to have a correct position of head and body after the ball
is lifted.
Head Back
If the head is back after lifting the ball, the shoulders are more apt to
be locked to some degree. This will affect power and in turn distance. It
will also affect the arc of the shot.
If the head is forward after lifting the ball, a player doesn`t get full power from the body and the arc is also flat.
To teach fundamentals well a coach must not only understand the breakdown of the fundamental, but he or she must also understand the importance of head and body position. Head and body position affect balance, mechanics of shot, arc, and power, etc.
Head level - look up with the eyes is a great technique to use when teaching players to shoot a basketball
Since a player has more time to sight the target when shooting a free throw he or she can pick out a more specific point. The best free throw shooters use the following sight points when shooting a free throw.
Again, a player has more time when shooting a free throw
to pick out a specific sight point.
Free throw shooters should find the sight point that works best for them.
Once a player has found his or her sight point that is what he or she should
concentrate on when shooting a free throw.
By concentrating on the sight point you are more apt in a natural way to coordinate
body parts towards the target.
Sighting Target When Shooting On-The-Move And Spot-up
Shooting
Most of the great outside shooters sight the whole basket when shooting on-the-move
or spotting-up. A player has less time when shooting on-the-move to pick out
a specific sight point like in free throw shooting. Again, the great and very
good shooters that I have checked out pick up the whole basket when shooting
on-the-move or spot-up to shoot.
Keep Head Level and Look Up With Eyes
Another technique to practice is keeping the head level and looking up with
the eyes to sight target. This technique should be used when shooting a free
throw or on-the-move shooting and spot-up shooting.
WHAT IS CORRECT
A good guideline to follow is to basically have the feet under
the player with the shooting foot even or slightly ahead. The spread of the
feet should be hip or shoulder width. If you see slight variations from these
techniques and the shooter is shooting well, I would not mess with the player`s
shot.
At our basketball shooting camps we spend a lot of time with footwork. I have
been involved in teaching shooting for the last 51 years and each year it
becomes more important. All the great shooters and scorers have great footwork.
The information given above is based on 20 years of coaching teams and 31
years of drilling players at our basketball shooting camps, It is also based
on working with over 48,000 player`s shots on a one-on-one basis.
Start watching the very good shooters on television and check out their footwork.
What we teach at our shooting camps is what the very good players are doing.
Coach Baumgartner probably has spent more time and study than anyone on basketball shooting footwork. He first published a footwork article in the Scholastic Coach in the early 70`s. The method shown then is still the best over-all footwork method used when shooting on-the move. The footwork method is the 1-2 stop where you put inside foot down first going both ways.
Coach Baumgartner`s last study on footwork was done a couple of years ago (2004) when he did an in-depth study on pull-up jump shooting. At this time he went through all of the footwork methods used by players when shooting on-the-move. With his past background and a thorough understanding of all the differences in footwork he was able to sort through all the variables. You will find what he recommends is what the very good and great pull-up jump shooters use.
Three Main Footwork Methods1-2 Stop With the Inside Foot Down First Going Both Ways
With this footwork method you can get into the shot from any angle to the
basket. This is not the case with the jump stop. From tough angles the jump
stop is more difficult to get squared to the basket. It is also slower to
get into a shot from those difficult angles. Players who have mastered the
1-2 stop with inside foot down first going both ways can pull-up at any time
when the defensive player makes a mistake. Check out the great pull-up jump
shooters on T.V and you will see that they will be using the method Coach
Baumgartner recommends. This 1-2 method is very explosive and again it is
easy to execute from any position on the floor. As a player, once you have
mastered this footwork method and have also developed quickness in your footwork
you will be able to pull-up at any time.
Jump Stop
Some coaches believe that the very good pull-up jump shooters are using a
jump stop to pull -up and shoot. If you watch closely you will see this is
not the case. There are some decent pull-up jump shooters using the jump stop,
but no great or very good ones. As I said they are limited because usually
they have to be facing the basket to pull-up and shoot.
1-2 Stop With The Same Foot Going Down First Going Both
Ways (right hander, left foot)
Some coaches teach this method because they think it is quicker when a right
hander is going left. This method when going left for a right hander is not
as explosive. It also doesn`t fit into the scheme of things where a player
through practicing this method will automatically learn to pull up at anytime
Players using this footwork method rarely become over-all great pull-up jump
shooters. In the past I have seen where coaches have changed very good pull-up
jump shooter to this 1-2 method. After they were changed they no longer pulled
up well. Remember, after correctly practicing the other 1-2
method where the inside foot is put down first going both way , a player will
start to automatically pull-up well. Of course it takes practice to become
a real good pull-up jump shooter.
What Do The Great Pull-Up Jump Shooters Use?
They use the 1-2 stop with the inside foot going down first
going both ways the majority of the time. They also use a jump stop occasionally
when the foot positon dictates a jump stop.
Again, a player will find if he or she practices correctly with the footwork
recommended they will automatically be able to pull-up at anytime.
We do a great job of teaching the pull-up jump shot at our
basketball shooting camps.
You can order the video or DVD: "Great Drills and Techniques to Develop the
Pull-Up Jump Shot" off this website. I believe you will find that the information
given on the pull-up jumper is easy to understand and put into practice. If
you follow and practice the drills given you will be able to automatically
pull up at any time. You will find that this video or DVD covers all the techniques
and drills to make you a great pull-up jump shooter. It shows and explains
the different footwork procedures explained in this article.
If this technique is followed literally, it will make the release hard and the player will also have less control. This technique of locking the elbow on release creates a good angle of the arm on release, but definitely is a very poor tecnique for touch and control. There are also better drills and techniques for developing a correct angle of the shooting arm on release. Drills that won`t affect touch and control.
When players literally follow the locked elbow technique they will bang the ball off the target. It is a very poor technique to be used in teaching shooting in general.
In Coach Baumgartner`s shooting lessons in the last 40 years he has had to unlock a lot of locked elbows. In this time he has done over 48,000 players shots. Locked elbow shooters use the arm too much to get the ball to the basket and not enougth fingers and wrist. When the ball is released correctly there is a slight break in the elbow.
Shaq`s Free ThrowOne of Shaq`s free throw instructors uses the technique of locking the elbow on release. Of course, we all know Shaq`s free throw shooting of around 47% isn`t very good. The shooting instructors who have worked with him haven`t been able to get him into the correct shooting mechanics or they have given him incorrect shooting techniques. The locking of the elbow would be just one of the incorrect shooting techniques he has gone through.
Through the years he has made about every mistake you can make in shooting a free throw and he still is making a lot of mistakes. They have credited his poor shooting to his wrist-hand structure, size of hand, etc.. Until someone puts him in the correct mechanics of shooting and then sets up a few simple drills which make him execute, timing, etc. correctly he will continue to shoot poorly . Of course, locking the elbow on release wasn`t a shooting technique that was going to help his release and soft touch.
Coaches when watching the shooter from the shooting hand side, his or her elbow should have a very slight break when releasing the basketball.
Remember, this technique of locking the elbow is not only very poor for free throw shooting, but also for shooting in general. For the untrained eye the form of the shooting arm looks great when using this technique, but the ball bangs hard off the target. Also remember, coaches using this technique will have some success because some players will not literally follow locking the elbow.
A general rule to follow in teaching shooting is to not over exaggerate any one part of the shot unless your are over compensating for a bad mistake. When you over exaggerate a part, the muscles don`t work well together.
At our shooting camps with our drills, techniques, word usage, and one-on-one instruction we can easily help a player with his or her touch.
It is best to have a short quick shot fake. When you fake don`t raise the
basketball too high (over head) because when you bring
the ball down from a high position it is usually still in a high position
before you put the ball on the floor. A high shot fake is slower and the ball
is positioned too high for driving. From a high shot fake the player will
travel more and it is slower
because the ball is farther from the floor than when using a short shot fake.
Again, the high shot fake is slower and the player is more apt to travel when
ball is put on floor.
Remember, players who start their drive move with the ball
positioned at the upper stomach or chest level travel a lot. From this position
it is difficult to time putting the ball on the floor at the correct time
with the step.
With a short quick shot fake you are less apt to travel
and it is much quicker. Check out the shot fake of the very good players who
put the ball on the floor. You will find most of them will have a very short
or medium shot fake.
Techniques For Teaching Or Learning The Shot Fake